![]() ![]() Strékan music includes dangdut music, following market taste as a consequence of commercialization of art. In the contemporary era, strékan music tends to market oriented. Strékan music is reinterpreted as music for low class. It appears negotiation space between colonial signs and Madurese culture of Situ-bondo people, considered to be symbolic resistance. In pasca-colonial era the hierarchy relation becomes ambivalent. The field data show that there is unequal power relation between colonized and colonizer. In colonial era strékan is assumed by people like music for elite class. ![]() ![]() The result of this research shows that a change of strékan music signifies a change of social condition in Situbondo. By ethnography method and postcolonial perspective, this research will discuss social problems and phenomena of strékan music. In Situbondo, strékan is a term which refers to music for welcoming guests. This research is an anthropology of music which discusses the dynamics of strékan music from colonial to contemporary era in Situbondo. ![]()
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